3.5. Thought more about this and I was wrong. Much of the reminiscence and introspection in nature are still indie nonsense but the premise and the ending capture and anticipate post-2008 anxieties and sense of being lost remarkably well.
One of the most beautiful films in history. Kelly Reichardt是我们时代的塞尚画不起眼的景物和人多视角的/无视角的从印象中攫取清晰的形状和速度Kurt在街上彷徨一不小心就滑出景框Sorrow is nothing but worn-out joy.
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